Anna Raines King: Architect & Entrepreneur
Beaufort, North Carolina
WFU Class of 2010
Major: Art History
Minor: Studio Art
Anna Raines King is a fantastic example of pursuing one's passions whilst making a difference. The Co-Founder of the eco-conscious architecture firm 2Kings explains how her career has taken shape since leaving the Forest.
DeacLink: What did you study at Wake? How has your career unfolded since?
Anna Raines King: I graduated Cum Laude in 2010 with a major in Art History and a minor in Studio Art. At that time, I planned to complete an MFA in printmaking, so I began to apply to graduate schools; meanwhile, I worked part time as a studio assistant for Professor David Faber. However, during that year I decided on a different career path. Having worked throughout high school and college for an architecture firm, Owen Architecture, in Winston-Salem, I realized that architecture would be a good fit for my both my art history and studio art interests and abilities. I entered UNC Charlotte’s Masters in Architecture and graduated with Honors in 2014.
During graduate school, I cast a pretty wide net. I sought out design studios taught by practicing architects. I took interdisciplinary classes in Urban Design, Geographic Information Systems (GIS) and real estate development. My thesis focused on the occupation of public space and architecture; more specifically, how spatial occupation, manifested as demonstrations as acts of protest, and the appropriation of public space in contemporary protest culture, relate to and physically alter the architectural and urban environment(s).
DL: Would you mind telling me more about 2Kings?
AK: I met David King, who’s now my husband, in architecture school. He, too, was working on an interdisciplinary thesis. Although by the time we graduated the economy had improved, the field of architecture was-- and still is-- experiencing a period of fluctuation. The field is navigating new relationships with technology, computing, and the licensure process. The large firms that were hiring in 2014 were not what we were looking for. We chose to found our own design-build firm at the end of school as an intellectual exercise, and it quickly became our full time job. We have an unlimited general contractor's license as well as our real estate brokers license. Our passion is responsible coastal development - our clients are mainly high-end residential; however, we also partner with other professionals in both the public and private sectors on pocket parks, temporary installations, and redevelopment projects. Currently, we are in the midst of town approvals for our first low impact development in a neighboring town.
DL: How did your time at Wake inform your career path?
AK: This was an amazing time to be at Wake Forest! Students in the business world and the art world intermixed! The newly created Entrepreneurship minor was cross-listed with the Art Department, and that interdisciplinary approach facilitated, for example, the creation of the START gallery in Reynolda Village -- a student-run gallery where art classes could exhibit and sell their work. Professors like Jan Detter and Lynn Book were extremely dedicated to helping students develop their own “kit-of-parts” needed to navigate future careers in creative fields. The successful realization of an idea relies on a donor, a grant, a kick-starter or a residency program, etc and, the “kit” developed in those classes is what I relied on to navigate the practical realities of finding success in a creative field.
DL: Architecture and design seem to be popular career paths for art alums despite the fact there are no real programs for this at Wake. How did you know this is what you wanted to do? What’s the hardest part about breaking into the field?
AK: To answer the first part of your question-- In addition to my work with Owen Architecture in Winston-Salem I took advantage of as many arts-related opportunities as possible at Wake Forest outside of the required curriculum. The summer of my sophomore year I interned at the Westminster Archive Center in London, England through a joint internship placement program with Wake Forest and Boston University. There I helped examine the physical condition of newly acquired documents and collections to develop basic working database for conservation and preservation. The next summer I was awarded a 10-week, $4500 stipend for a scholarly research collaboration through the Research Fellows Program with Professor Harry Titus in Paris, France. Professor Titus helped guide my research in the advancements and problems of architectural vocabulary within revival-style church building in Second Empire Paris, as well as its significance within a broader context of modern art and architecture. During the school year I worked for 3 to 4 Ounces, the student art and literary magazine, eventually becoming editor-in-chief. My senior year I chaired the Media Board, which oversees all seven of the student publications and media organizations. Taken as a whole, my experiences in each of these various paths during my time at Wake Forest allowed me to confidently choose a career path upon graduating.
To answer the second part of your question-- In architecture, one of the most difficult challenges to breaking into the field is that you need life experience. Architecture professors will say “Architecture is an old man’s game.” An accumulation of knowledge --building codes, materials, budget timelines, best practices and public/private partnerships- is necessary in the field. And that takes a lot of time to learn. For recent graduates, this can be frustrating. Additionally, architecture has been primarily a “man’s game” and so there is that aspect of being a female architect and outside the norm.
DL: How do you like living in North Carolina? What advice do you have for students considering pursuing a career outside of a major arts hub?
AK: There are pluses and minuses. Because we live in a coastal area, with a small year round population, access to resources such as print labs and fabricators is challenging. On the positive side, we are influencing and changing the built environment in a way we couldn't in a larger city. Fortunately, we have the fastest internet in our town, and with cloud-based technology we can connect to a larger community via the internet.
David and I are passionate about climate change and sea level rise, and what it is going to mean to live on the coast in 10-100 years. Few coastal communities have the architects and other resources like those available to the coasts of New York and New Jersey after Hurricane Sandy. On a personal level, it is important to us to know that we will be here in this community and will be able to help with the imminent climate effects.
DL: What do you think Wake arts could do to better prepare students for life after graduation?
AK: The existence of cross disciplinary experiences is good. However, the school needs to continue to provide a variety of experiences beyond the classroom.Taking advantage of off-campus opportunities in Winston-Salem and in Europe made a big difference for me. Having the ability to take risks, especially formative ones in a low risk environment, in college is so important. The arts world can be harsh. Having that confidence gained through experience and support through people that believe in you is something that you can draw on when times are tough.
DL: What's the best kernel of advice you can think to pass on to current students and recent alums?
AK: In the greater world, the arts field tends to be undervalued. This shows up in the idea that creatives should intern or work for free for years or charge less for the service they provide. This type of thinking undercuts the importance of the art field. So my best advice would be to value yourself and your abilities. Recognize that what you offer is as important as other fields. You can’t expect others to value you if you don’t value yourself.